The Great Wall - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
FANTASTIC BEASTS – THE CRIMES OF GRINDELWALD: Tom Proctor – VFX...
In 2017, Tom Proctor explained the work of DNEG on A CURE FOR WELLNESS. He then worked on JUSTICE LEAGUE. He talks to us today about his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, his first participation on a film from the Harry Potter universe.
FANTASTIC BEASTS – THE CRIMES OF GRINDELWALD: Andy Kind & Nicolas...
In 2017, Andy Kind told us about Framestore's work on PADDINGTON 2. He explains today his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD.
In 2016, Nicolas Chevallier explained the work of Cinesite on THE REVENANT. He then worked on X-MEN: APOCALYPSE, NOW YOU SEE ME 2 and BLACK SAILS. He joined Framestore in 2017.
THE GIRL IN THE SPIDER’S WEB: Christoph Schmidt – VFX Set...
Christoph Schmidt joined Pixomondo in 2014 and has worked on many projects such as FURIOUS SEVEN, THE SHANNARA CHRONICLES, THE FATE OF THE FURIOUS and GAME OF THRONES.
OUTLAW KING: Dan Bethell – VFX Supervisor – Method Studios
Dan Bethell began his career in 2001 at MPC. He works in many studios such as Rising Sun Pictures, Iloura and Method Studios. He worked on films like BATMAN BEGINS, TERMINATOR SALVATION, SPIDER-MAN: HOMECOMING and THOR: RAGNAROK.
THE HOUSE WITH A CLOCK IN ITS WALLS: Louis Morin –...
Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.
THE MEG: Adrian de Wet – Overall VFX Supervisor
In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.
THE MEG: Mohsen Mousavi – VFX Supervisor – Scanline VFX
Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline VFX in 2012 and works on 300: RISE OF AN EMPIRE. He then takes care of the effects on POMPEII, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.
ANT-MAN AND THE WASP: Stephane Paris – VFX Supervisor – Cinesite
At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.
ANT-MAN AND THE WASP: Kevin Souls (VFX Supervisor), Brendan Seals (VFX...
At the beginning of the year, Kevin Souls, Brendan Seals and Raphael A. Pimentel had explained the work of Luma Pictures on BLACK PANTHER. Brendan and Raphael then worked on A WRINKLE IN TIME. They talk to us today about their work on the new Marvel movie, ANT-MAN AND THE WASP.
ANT-MAN AND THE WASP: Alessandro Ongaro – VFX Supervisor – DNEG
Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...