Locke & Key - résultats de la recherche

Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche

THE MEG: Sue Rowe – VFX Supervisor – Sony Pictures Imageworks

0
In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

ANT-MAN AND THE WASP: Stephane Paris – VFX Supervisor – Cinesite

0
At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.

ANT-MAN AND THE WASP: Alessandro Ongaro – VFX Supervisor – DNEG

0
Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...

THE SHAPE OF WATER: Trey Harrell – Digital Effects Supervisor –...

1
Trey Harrell began his career at Mr. X more than 8 years ago. He has worked on many projects such as TRON LEGACY, THE THREE MUSKETEERS, POMPEII and RESIDENT EVIL: THE FINAL CHAPTER. He talks to us today about his work on THE SHAPE OF WATER, his third show with director Guillermo del Toro.

AMERICAN MADE: Eric J. Robertson – VFX Supervisor – Mr. X

0
Last year, Eric J. Robertson explained to us about the Mr. X's work on ZOOLANDER 2. He then supervised the visual effects of BILLY LYNN'S LONG HALFTIME WALK and MONSTER TRUCKS.

THE FATE OF THE FURIOUS: Philippe Soeiro – VFX Supervisor –...

0
Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.

PASSENGERS: Pete Dionne – VFX Supervisor – MPC

0
Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Frazer Churchill – Production VFX...

0
In 2013, Frazer Churchill explained to us about the work of Double Negative on THE WORLD'S END. He then became independent VFX supervisor and works with the legendary film director Tim Burton.

X-MEN – APOCALYPSE: Jerome Escobar – CG Supervisor – MPC

0
Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

CAPTAIN AMERICA – CIVIL WAR: Dan Deleeuw – Overall VFX Supervisor

0
Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.