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MISSION IMPOSSIBLE – GHOST PROTOCOL: John Knoll – VFX Supervisor –...

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John Knoll joined ILM in 1986 as motion control camera operator to work on INNERSPACE and WILLOW. He will then work on THE ABYSS. He's promoted as VFX Supervisor in 1990 for the film THE HUNT OF THE RED OCTOBER (with Scott Squires). He will oversee the PIRATES OF THE CARIBBEAN and STAR WARS trilogies. He will also participate in MISSION TO MARS, SPEED RACER, AVATAR or recently RANGO. He is with his brother Thomas, one of the creators of the software Photoshop. He received nine awards including the Oscar for Best Visual Effects for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST and more than 20 nominations. In the following interview, he talks about his work on MISSION IMPOSSIBLE: GHOST PROTOCOL that marks his return on this franchise since he had supervised the effects of the first MISSION IMPOSSIBLE.

96th Oscars Visual Effects Nominees Showcase

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Dive into the captivating world of visual effects! Join us for the Academy of Motion Picture Arts and Sciences' presentation featuring the five nominees...

1899

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Don't miss this trailer for the new series by the creators of Dark, 1899! https://www.youtube.com/watch?v=p7OUQ9U2qIw The VFX are made by:DNEG (VFX Supervisor: Chris Nokes)Framestore (VFX Supervisor:...

Cinesite partners with Squeeze

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After the acquisition of L'Atelier Animation last month, Cinesite adds a new studio with the Quebec-based animation and motion capture studio, Squeeze! Here is the...

Eternals: Matt Aitken – VFX Supervisor – Weta Digital

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Back in 2019, Matt Aitken explained the work of Weta Digital on Avengers: Endgame. He then went on to work on Black Widow. How did...

Paul Lambert joins Wylie Co. as Executive Creative Director

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Really cool news from Wylie Co. as they name Paul Lambert new Executive Creative Director at Culver City headquarters! Here is the press release: Two time...

DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain

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Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

EXODUS – GODS AND KINGS: Jessica Norman – VFX Supervisor –...

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In 2013, Jessica Norman had explained in details the work of MPC on WORLD WAR Z, she is now back to talks about her work on the new film by Ridley Scott, EXODUS - GODS AND KINGS.

NOAH: Philippe Rebours – Associate VFX Supervisor – Industrial Light &...

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Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...

NOAH: Dan Schrecker – VFX Supervisor – Look Effects

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Since his last interview here, Dan Schrecker worked on several projects such as THE SECRET LIFE OF WALTER MITTY and GODS BEHAVING BADLY. NOAH is the occasion to work again with director Darren Aronofsky since BLACK SWAN.