The Lord of the Rings - résultats de la recherche

Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.

As a media partner of Paris Images Digital Summit, we are happy to announce to you that Joe Letteri (Senior VFX Supervisor at Weta...

Great news! Rodeo FX is opening an office in Los Angeles! Matte Painter Deak Ferrand and Executive Producer Chery Bainum from Hatch FX are joining...

Randy Goux is in visual effects for over 16 years. He has worked in many studios around the world and has worked on various projects such as X-MEN, CONSTANTINE, PATHFINDER or RED.

John Fragomeni, President of Mirada, has been with the studio since its inception in 2010 and oversees all aspects of the studio’s diverse portfolio and developing technology. Most notable of his feature film visual effects credits include the PIRATES OF THE CARIBBEAN franchise and TERMINATOR SALVATION, which he supervised while at Asylum. He has also worked on commercial projects for some of the biggest Fortune 500 companies - as a Director and as a VFX Supervisor - and served as Head of Visual Effects at Motion Theory (MTh). Zach Tucker has supervised countless teams of artists and worked alongside world-class directors for films such as G-FORCE, THE SEEKER: THE DARK IS RISING, DEJA VU and APOCALYPTO. As a Visual Effects Supervisor at Mirada, he brings extensive technical expertise to high-profile feature film and advertising projects, including work for Expedia, Tide, Centrum, and a Super Bowl spot for Wrigley’s “5 Gum.” Tucker has also worked for Digital Domain and Asylum.

Richard Greenwood has been working in visual effects for over 11 years. He joined FuseFX in 2014 to help launch the Vancouver office. He...

Curro Muñoz started working at Deluxe Spain in 2007. As a VFX Supervisor, he has worked on projects such as Elite, If I Hadn't...

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

In 2017, Ivan Moran explained the work of Framestore on GHOST IN THE SHELL. He then worked on MOWGLI. He talks today about his work as Overall VFX Supervisor on the movie Netflix, PROJECT POWER.

Let's start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years! The reel is featuring their work on: TRUE LIES INTERVIEW...