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In 2016, Glenn Melenhorst explained the Iloura's work on the 6th season of GAME OF THRONES. He then worked on the 7th season and on OUTCAST and JOHN WICK: CHAPTER 2.

The nominations for the 16th Annual VES Awards have just been announced! OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE Blade Runner 2049 John Nelson Karen Murphy...

In 2013, Ben Morris explained to us about the work of Framestore on LINCOLN, he then worked on GRAVITY. Then he joins Industrial Light & Magic. STAR WARS - THE LAST JEDI is his second film STAR WARS after THE FORCE AWAKENS.

In 2015, Jake Morrison explained to us about his work on ANT-MAN. He is talking to us today about his fourth film with the god Thor.

Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.

Here is the trailer for GOING VERTICAL (DVIZHENIE VVERKH): The VFX are made by: CGF Director: Anton Megerdichev Release Date: 28 December 2017 (Russia) © Vincent Frei –...

Fabio Zangla has more than 10 years experience in visual effects. He worked in numerous studios like MPC, Double Negative and Weta Digital before joining Framestore in 2016. His filmography includes projects such as AVATAR, HUGO, JOHN CARTER or INTERSTELLAR. Chris Zeh began his career in VFX in 2000. He worked at Cinesite, Rainmaker UK, Weta Digital and Framestore. His filmography is composed of many projects such as THE LORD OF THE RINGS: THE RETURN OF THE KING, THE GOLDEN COMPASS, THE DARK KNIGHT, GRAVITY or GUARDIANS OF THE GALAXY.

Mike Janov has been working in the visual effects for over 20 years. He has worked for many studios such as The Orphanage, Spy Post, Industrial Light & Magic and Atomic Fiction. As an Associate VFX Supervisor, he took care of the effects of SAN ANDREAS, GAME OF THRONES: SEASON 5 or DEADPOOL.

Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.

In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.