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THE LONE RANGER: Tim Alexander – VFX Supervisor – ILM
Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.
KICK ASS 2: Hugh Macdonald – VFX Supervisor – Nvizible
In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.
STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo
Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.
FLIGHT: Kevin Baillie – VFX Supervisor – Atomic Fiction
Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.
IMMORTALS: Danielle Plantec – VFX Supervisor – Scanline VFX
Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.
GREEN LANTERN: Karen Goulekas – Production VFX Supervisor
Karen Goulekas has over 25 years of experience in visual effects. She has worked in many studios such as Boss Film or Digital Domain. She has worked on such films as TRUE LIES, THE FIFTH ELEMENT or TITANIC. In 1998, she seized the opportunity to be Production VFX Supervisor on GODZILLA. She has since overseen the effects of movies like THE DAY AFTER TOMORROW or 10,000 BC.
TRANSFORMERS: DARK OF THE MOON – Digital Domain
Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.
PRIEST: Robert Nederhorst – VFX Supervisor – Svengali FX
Robert Nederhorst worked since 10 years in the VFX. He has participated on projects like X-MEN, THE DAY AFTER TOMORROW or THE BOOK OF ELI. He joined Svengali FX in 2010 and oversees the effects of IRON MAN 2 and THE LAST AIRBENDER. In the following interview, he talks about his work on PRIEST.
THOR: Eric Fernandes – CG Supervisor – Digital Domain
Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Matt Johnson work since over 15 years in visual effects at Cinesite. He participated in many projects such as EVENT HORIZON and LOST IN SPACE. And supervised a large number of show from KING ARTHUR to THE GOLDEN COMPASS passing by V FOR VENDETTA.