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Last October, The Art of VFX was in Turin, Italy for View Conference. VFX Legend John Knoll has made an impressive presentation about Industrial Light...

Just a quick reminder to tell you that VIEW Conference will start on next Monday! The VFX secrets of many films such as PACIFIC RIM,...

Here is my summary of FMX 2013. It was a great edition full of interesting conferences and meetings. See you in 2014.

Since his last visit on The Art of VFX for THE THREE MUSKETEERS, Ara Khanikian worked on films like IMMORTALS, UNDERWORLD: AWAKENING, RED TAILS or MIRROR MIRROR.

John Knoll joined ILM in 1986 as motion control camera operator to work on INNERSPACE and WILLOW. He will then work on THE ABYSS. He's promoted as VFX Supervisor in 1990 for the film THE HUNT OF THE RED OCTOBER (with Scott Squires). He will oversee the PIRATES OF THE CARIBBEAN and STAR WARS trilogies. He will also participate in MISSION TO MARS, SPEED RACER, AVATAR or recently RANGO. He is with his brother Thomas, one of the creators of the software Photoshop. He received nine awards including the Oscar for Best Visual Effects for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST and more than 20 nominations. In the following interview, he talks about his work on MISSION IMPOSSIBLE: GHOST PROTOCOL that marks his return on this franchise since he had supervised the effects of the first MISSION IMPOSSIBLE.

Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu,...

Back in 2016, Ajoy Mani explained the visual effects work on Mechanic: Resurrection. He went on to work on several projects including The Yellow...

Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film's visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.