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47 RONIN: Rudi Holzapfel – VFX Supervisor – Baseblack
Few weeks ago, Rudi Holzapfel explained the work of Baseblack on JACK RYAN: SHADOW RECRUIT. He is back to tell us about 47 RONIN.
47 RONIN: Christian Manz – VFX Supervisor – Framestore
Christian Manz began his career in visual effects at Framestore in 1997 as a runner. He then made his way in the Compositing Department. He oversaw the effects of projects such as SPOOKS, PRIMEVAL, NANNY MCPHEE AND THE BIG BANG or HARRY POTTER AND THE DEATHLY HALLOWS: PART 1.
ROBOCOP: Craig Calvert – Previs Lead & CG Supervisor – Mr....
Last year, Craig Calvert had told us about the previs work of Mr. X on PACIFIC RIM. He then worked on the TV series THE STRAIN. And now he explains his work on the remake of ROBOCOP.
I, FRANKENSTEIN: Avi Goodman – VFX Supervisor – Iloura
Avi Goodman began his career in visual effects as an animator at Weta Digital for THE LORD OF THE RINGS: THE TWO TOWERS. He then joined Iloura and worked on films such as AUSTRALIA, DO NOT BE AFRAID OF THE DARK or TED.
OSCAR 2014: Best Visual Effects for GRAVITY
A huge congratulations to Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould and the whole Framestore team to have won the Oscar for...
POMPEII: Chris MacLean – CG Supervisor – Mr. X
Chris MacLean has joined the team of Mr. X in 2010. He has participated in many RESIDENT EVIL, THE THING or CARRIE. This is his fourth film with director Paul W.S. Anderson.
ROBOCOP: Mert Kizilay – Lead Designer – yU+co
Mert Kizilay is a designer and director based in Los Angeles. He graduated from Fine Arts Animation School in Eski?ehir/Turkey. He has recently joined the teams of yU+co as designer.
ROBOCOP: Rob Duncan – VFX Supervisor – Framestore
After explaining the work of Framestore on JOHNNY ENGLISH REBORN, Rob Duncan oversaw the visual effects of THE DICTATOR. He is back to talk about his work on the remake of ROBOCOP.
THE SECRET LIFE OF WALTER MITTY: Everett Burrell – Senior VFX...
Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.
12th Annual VES Awards: The Winners
Last night, the Visual Effects Society had its 12th Annual Awards.
GRAVITY is the big winner with six Awards !
Click here to see the complete...