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Elvis: Tom Wood – Production VFX Supervisor
Back in 2015, Tom Wood had explained the work done by Iloura's teams on Mad Max: Fury Road. He went on to work on...
The 1000th Interview: Niklas Jacobson & Yafei Wu – Co-founders –...
Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu,...
Thor – Love and Thunder: Jake Morrison – Production VFX Supervisor
Back in 2017, Jake Morrison explained the visual effects work on Thor: Ragnarok. He then worked on Jungle Cruise. He's back today to talk...
Bullet Train: Stephen James – VFX Supervisor – DNEG
Stephen James started his career in visual effects in 2005 at DNEG. He went on to work at Digital Domain, Image Engine and Scanline...
Halo: Craig Calvert (VFX Supervisor) & Martin Hesselink (Animation Supervisor) –...
Back in 2014, Craig Calvert had explained the visual effects work of Mr. X (now MPC) on Robocop. He went on to work on...
Cinesite acquires Montreal studio L’Atelier Animation
Things continue to move in the world of VFX and animation with this announcement from Cinesite that will acquire L'Atelier Animation!
Here is the press...
Netflix acquires Animal Logic
What a big news! After Scanline VFX, Netflix has decided to acquire a new studio with Animal Logic!
Here is the press release:
Netflix and Animal...
Chip ‘n’ Dale: Rescue Rangers: Steve Preeg – VFX Supervisor –...
Back in 2013, Steve Preeg explained the work made by Digital Domain on Oblivion. He then worked on Gone Girl and Beauty and the...
Doctor Strange in the Multiverse of Madness: Julian Foddy (VFX Supervisor)...
Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...
Doctor Strange in the Multiverse of Madness: Alexis Wajsbrot – VFX...
In 2019, Alexis Wajsbrot explained the work made by Framestore on Spider-Man: Far From Home. He then worked on How I became a superhero,...