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Foundation: Arnaud Brisebois – VFX Supervisor – Rodeo FX

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In 2016, Arnaud Brisebois talked about the work of Rodeo FX on Fantastic Beasts and Where to Find Them. He then worked on many...

The Matrix Resurrections: Andreas Giesen – VFX Supervisor – RISE

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In 2019, Andreas Giesen had explained the work done by RISE on Hellboy. He then worked on several shows such as Doctor Sleep, WandaVision,...

The Matrix Resurrections: Graham Page (VFX Supervisor), Max Solomon (Animation Supervisor)...

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Back in 2018, Graham Page told us about the work DNEG did on Avengers: Infinity War. He went on to work on Captain Marvel,...

No Time To Die: Mark Bakowski (VFX Supervisor) & Stephen Ellis...

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Back in 2018, Mark Bakowski told us about his work on Overlord. He went on to work on Bird Box, Aladdin and The Midnight...

The King’s Man: Oliver Schulz – VFX Supervisor – RISE

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Back in 2019, Oliver Schulz explained the work made by RISE on the visual effects for Captain Marvel. He then worked on Reminiscence and...

Eternals: Daniele Bigi (VFX Supervisor) with Peter Kyme (CG Supervisor), Mathieu...

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In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker. Peter Kyme started his career...

Swan Song: Ajoy Mani – VFX Producing Supervisor

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Back in 2016, Ajoy Mani explained the visual effects work on Mechanic: Resurrection. He went on to work on several projects including The Yellow...

Red Notice: Richard Hoover – Overall VFX Supervisor

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Last year, Richard Hoover explained the visual effects work on 6 Underground. Today he comes back to talk about his new show, Red Notice. How...

Dune: Paul Lambert (Production VFX Supervisor), Tristan Myles (VFX Supervisor –...

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Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

No Time To Die: Charlie Noble (Overall VFX Supervisor) with Jonathan...

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In 2011, Charlie Noble explained the work done by DNEG on Captain America: The First Avenger. He then worked on several films such as...