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Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

Here is the first audio podcast on The Art of VFX. I'm happy to introduce to you Pascal Chappuis who has made this interview and will made the next ones. Thad Beier has worked for over 20 years in visual effects. In 1995, he founded Hammerhead with Rebecca Marie, Jamie Dixon and Dan Chuba. He has worked on many projects such as TITANIC, U-571, FAST AND FURIOUS or 4: RISE OF THE SILVER SURFER. In 2010, he joined the team of Digital Domain.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.

Wayne Brinton is evolving in the visual effects for over 10 years. Before joining Modus FX, he has worked at Hybride or Mr. X. He has participated in many projects such as SIN CITY, 300 SOURCE CODE or MIRROR MIRROR.

Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.

Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

Lara Lom began her VFX career at Pixomondo and worked on the films FAST FIVE and HUGO. She then joined MPC in 2012 and participated in numerous projects such as DARK SHADOWS, TOTAL RECALL and PROMETHEUS.

Adam Avitabile has explained to us the visual effects of Look Effects on the season finale of LOST. Then he worked on projects like LIMITLESS, FAST FIVE or THE MUPPETS.