Free Guy - search results
If you're not happy with the results, please do another search
KICK ASS 2: Hugh Macdonald – VFX Supervisor – Nvizible
In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.
THE WITCHER 3 – WILD HUNT: Tomek Baginski (Director), Maciej Jackiewicz...
The Platige Image team is back on The Art of VFX. They have explained their work on THE WITCHER 2 and CYBERPUNK 2077, now they talks about the creation of the teaser for THE WITCHER 3: WILD HUNT.
IRON MAN 3: Danny Yount – Creative Director – Prologue Films
After explaining to us about his work on the titles for OBLIVION, Danny Yount is back and tell us now about his work on IRON MAN 3 which marks his second collaboration with the director Shane Black.
MAN OF STEEL: John “DJ” Desjardin – Production VFX Supervisor
John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.
MAN OF STEEL: Raffael Dickreuter – Virtual Camera Supervisor – Pixel...
In 2011, Raffael Dickreuter explained the work of Pixel Liberation Front on GREEN LANTERN. He has just finished a two years work on MAN OF STEEL and talks to us about his work on it and the use of the virtual camera.
STAR TREK INTO DARKNESS: Kevin Baillie – VFX Supervisor – Atomic...
A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.
STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo
Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.
OBLIVION: Bjørn Mayer – VFX Supervisor – Pixomondo
Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.
WARM BODIES: Dan Schrecker – VFX Supervisor – Look Effects
Two years ago, Dan Schrecker had explained his work on BLACK SWAN. He then oversaw the effects of films such as LIMITLESS, THE SITTER or MOONRISE KINGDOM. Accompanied by Matt Krentz, Digital Supervisor, he talks about the effects of WARM BODIES.
ZERO DARK THIRTY: Chris Harvey – VFX Supervisor – Image Engine
After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.