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MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX
In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.
The Penguin: Johnny Han – Production VFX Supervisor
Johnny Han brings over two decades of experience in the visual effects industry. His impressive portfolio spans projects like Smallville, Heroes, Pacific Rim, and...
Dark Matter: John Heller (Production VFX Supervisor) & Marjolaine Tremblay (Production...
Back in 2019, John Heller discussed the visual effects crafted by FuseFX for season three of True Detective. He later contributed to The Good...
Bad Boys – Ride or Die: Kris Sundberg (Production VFX Supervisor)...
Kris Sundberg and Lynzi Grant have collaborated for the past 6 years on Extraction, Spiderhead, and Hocus Pocus 2. Today they share their latest project:...
IF: Chris Lawrence (Production VFX Supervisor) & Arslan Elver (Animation Supervisor)...
In 2021, Chris Lawrence explained the work of the visual effects created by Framestore on The King's Man.
In 2020, Arslan Elver discussed his contributions...
Atlas: Lindy DeQuattro – Production VFX Supervisor
Back in 2019, Lindy DeQuattro explained the visual effects process for Dora and the Lost City of Gold. She then went on to work...
The Three Musketeers – D’Artagnan & Milady: Olivier Cauwet – Production...
Reflecting on 2021, Olivier Cauwet enlightened us about his visual effects endeavors on the film Eiffel. Now, he sheds light on his new collaboration...
Leave the World Behind: Chris Harvey – Production VFX Supervisor
Back in 2015, Chris Harvey explained the visual effects work made by Image Engine for Child 44. Subsequently joining Oats Studios, he assumed the...
Monarch – Legacy of Monsters: Sean Konrad – Production VFX Supervisor
Back in 2018, Sean Konrad explained the visual effects work done by Method Studios on Deadpool 2. He then worked on various shows su...
The Nun II: Interview with MPC and BUF teams
The MPC Paris teams worked on over 70 VFX shots over a period of 7 months. Here are the experiences shared by Laurent Creusot...