House of the Dragon - résultats de la recherche

Last year, Sven Martin had explained to us in detail about the work of Pixomondo on BRIDGE OF SPIES. He talks today about the dragons for the season 6 of GAME OF THRONES. Be sure to watch the new making of about their work at the end of the interview!

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

The Hollywood Post Alliance have just published the list of the nominees for the 2014 HPA Awards. The winners will be announced the November...

n 2010, Simon Otto had explained in detail about his work at Dreamworks Animation on the first episode of HOW TO TRAIN YOUR DRAGON. He then worked on several shorts inspired by this film. He is now back with the second episode.

Last year, Eric Saindon had told us in detail about his work for THE HOBBIT - AN UNEXPECTED JOURNEY. Now, he's back for the second episode of HOBBIT.

Robin Hollander began his career in visual effects as a runner at MPC. He worked on many projects such as ALEXANDER or THE DA VINCI CODE. In 2007, he joined Weta Digital and participate in films like AVATAR, RISE OF THE PLANET OF THE APES and THE ADVENTURES OF TINTIN.

Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.

Sean Andrew Faden began his career in 1996 at Digital Domain where he worked on films such as THE FIFTH ELEMENT, TITANIC, FIGHT CLUB or RED PLANET. In 2004 he joined the team of Asylum Visual Effects and participate on films like CHARLIE AND THE CHOCOLATE FACTORY, THE CURIOUS CASE OF BENJAMIN BUTTON or DOMINO. In 2009, he joined Method Studios and oversee the visual effects of films such as LET ME IN, GULLIVER'S TRAVELS or CAPTAIN AMERICA: FIRST AVENGER. In the following interview, he talks about his work on THE GIRL WITH THE DRAGON TATTOO.

After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.

Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.