House of the Dragon - résultats de la recherche

Great news with the return of Academy Award-nominated Animation Supervisor Rob Coleman and Executive Producer Randal Shore to Industrial Light & Magic at the...

In 2012, Boris Schmidt explained the work of Pixomondo on THE AMAZING SPIDER-MAN. He then worked on many shows such as FURIOUS 7, POWER RANGERS, THE OA and FOR ALL MANKIND. He talks today about his work on RAISED BY WOLVES with VFX Supervisors Max Riess, Moritz Bock and Julian Lojek.

Steve Murgatroyd began his career in visual effects more than 23 years ago. He has worked on many films including GLADIATOR, BLACK HAWK DOWN, DIE ANOTHER DAY and THE ALIENIST.

Dave Houghton has been working in visual effects for over 20 years. He has worked on numerous projects including TORCHWOOD, DOCTOR WHO, SINBAD and THE ALIENIST.

Max Riess began his career in visual effects more than 10 years at Pixomondo. He has worked on many projects such as HUGO, STAR TREK INTO DARKNESS, GAME OF THRONES and IRON SKY 2.

In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS. Jerome Denjean began his career as an animator in 2000 at Cryo Interactive. He joined Blur Studio in 2003.

In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.

Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Benoit Revilliod has worked in many Parisians VFX studios such as Ex Machina, Def2Shoot or Wizz. Alongside his work as VFX supervisor, he is a professor at the school SupinfoCom. In the following interview, he discusses his work on the film L'ODYSSEE DE CARTIER.