Iron Man 3 - search results

Avi Goodman began his career in visual effects as an animator at Weta Digital for THE LORD OF THE RINGS: THE TWO TOWERS. He then joined Iloura and worked on films such as AUSTRALIA, DO NOT BE AFRAID OF THE DARK or TED.

The Platige Image team is back on The Art of VFX. They have explained their work on THE WITCHER 2 and CYBERPUNK 2077, now they talks about the creation of the teaser for THE WITCHER 3: WILD HUNT.

After explaining the work of Spin VFX on the TV series THE BORGIAS, Doug Campbell has worked as a senior compositor on THE TWILIGHT SAGA: BREAKING DAWN - PART 2 and JACK REACHER. He now talks about his work on the third season of GAME OF THRONES.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.

John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.

Jessica Norman began her career in visual effects in 2001 at MPC. She has worked on projects such as LARA CROFT: TOMB RAIDER, ALIEN VS PREDATOR, CORPSE BRIDE, many HARRY POTTER or NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN.

In 2011, Raffael Dickreuter explained the work of Pixel Liberation Front on GREEN LANTERN. He has just finished a two years work on MAN OF STEEL and talks to us about his work on it and the use of the virtual camera.

Two years ago, Matt Johnson had told us about the work of Cinesite on X-MEN FIRST CLASS. To talk about WORLD WAR Z, he is accompanied with Anthony Zwartouw (CG Supervisor) and Thomas Dyg (Environment Supervisor).

Last year, Max Ivins had told us about the work of Look Effects on LIFE OF PI. He then worked on the third season of GAME OF THRONES. He speaks to us today about his work on MAN OF STEEL.