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In 2016, Tim Burke and Christian Manz told us in detail about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM. They are now back to tell us more about THE CRIMES OF GRINDELWALD.

At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.

In 2017, Jelmer Boskma explained the work of Scanline VFX on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on ANT-MAN AND THE WASP.

Last year, Andrew Hellen explained to us the work of Method Studios on THOR: RAGNAROK. He talks to us today about his work on ANT-MAN AND THE WASP.

At the beginning of the year, Kevin Souls, Brendan Seals and Raphael A. Pimentel had explained the work of Luma Pictures on BLACK PANTHER. Brendan and Raphael then worked on A WRINKLE IN TIME. They talk to us today about their work on the new Marvel movie, ANT-MAN AND THE WASP.

In 2017, Nikos Kalaitzidis had explained the work of Digital Domain on THE FATE OF THE FURIOUS. He then worked on SPIDER-MAN: HOMECOMING, A WRINKLE IN TIME and SHADOW. Joel Behrens began his visual effects career in 2002 at Asylum Visual Effects. Then he worked at Digital Domain, Industrial Light & Magic, ESC Entertainment and Weta Digital. He returned to Digital Domain in 2006. He has worked on many films such as TRANSFORMERS: REVENGE OF THE FALLEN, THOR, ENDER'S GAME and READY PLAYER ONE.

Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...

Rodeo FX presents their environment work on THE GREATEST SHOWMAN: WANT TO KNOW MORE? Rodeo FX: Dedicated page about THE GREATEST SHOWMAN on Rodeo FX website. ©...

In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.

Before joining Trixter in 2017, Michael Wortmann worked in several studios such as Animal Logic, Cinesite, Weta Digital, Pixomondo and Chimney. As a VFX Supervisor, he took care of the effects of shows like GAME OF THRONES, STAR TREK: INTO DARKNESS, GOOD KILL and ATOMIC BLONDE.