NOW YOU SEE ME 2 - résultats de la recherche

The Framestore team composed of Andy Kind (VFX Supervisor), Chris Zeh (Compositing Supervisor) and Liam Russell (Animation Supervisor) tell us about their work on THE SECRET GARDEN.

In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.

A few months ago, Chris White and Aidan Martin told us about Weta Digital's work on SPACE FORCE. Today they are introducing two new characters for THE UMBRELLA ACADEMY:

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

In 2019, Everett Burrell had explained to us his work on the 1st season of THE UMBRELLA ACADEMY. He is back today to tell us about the new season of this particular family.

IN 2018, Craig Wentworth told us about the work of Method Studios on AQUAMAN. Now he's talking about EXTRACTION. During his last visit here, Dan Bethell had detailed the work of Method Studios on OUTLAW KING.

Randall Balsmeyer has been working in visual effects for 40 years! He has worked on many films including GHOST, DEAD MAN, THE ADJUSTMEN BUREAU and BLACKKKANSMAN. He talks to us today about his new collaboration with director Spike Lee.

In 2018, Adrian de Wet explained his work on THE MEG. He's back today with the post-apocalyptic Apple TV+ series, SEE: Eve Fizzinoglia began her career in visual effects in 2009 at Stargate Studios. She has worked on a many shows including CALIFORNICATION, HOUSE OF LIES, RAY DONOVAN and COLONY.

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

Robert Winter began his career in visual effects in 1997 at Sony Pictures Imageworks. He has worked on films such as STARSHIP TROOPERS, HOLLOW MAN, HANCOCK and ALICE IN WONDERLAND. He then joined MPC in 2014 and took care of effects for films such as SUICIDE SQUAD and GODZILLA: KING OF THE MONSTERS. In 2018, he joins Framestore and works on LADY AND THE TRAMP. In 2017, Arslan Elver told us about the work of Framestore on GUARDIANS OF THE GALAXY VOL. 2 and then worked on CHRISTOPHER ROBIN.