NOW YOU SEE ME 2 - résultats de la recherche

In 2015, Richard Stammers explained the work of MPC on THE MARTIAN. He talks to us today about DUMBO.

In 2018, John Likens explained to us the work of Method Studios on the opening and end titles sequences of DEADPOOL 2. He talks to us today about his work on the main title sequence of WARRIOR.

In 2014, Chris MacLean explained the work of Mr. X on POMPEII. He then worked on many projects such as CRIMSON PEAK, BEN-HUR, LEGION and THE STRAIN.

Only two week before the new edition of FMX! New speakers have been added such as Overall VFX Supervisor Dan DeLeeuw and Weta Digital VFX...

In 2017, Christian Kaestner explained the work of Framestore on KING ARTHUR: LEGEND OF THE SWORD. He then worked on GEOSTORM and MARY POPPINS RETURNS.

In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS. Jerome Denjean began his career as an animator in 2000 at Cryo Interactive. He joined Blur Studio in 2003.

In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.

Aidan Fraser began his career in the visual effects in the early 2000s. He worked in many studios like Industrial Light & Magic, Weta Digital, Laika and joined Atomic Fiction (now Method Studios) in 2013. He worked on many movies such as KING KONG, IRON MAN 2, THE WALK and STAR TREK BEYOND.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

Romain Arnoux has more than 20 years of experience in visual effects. He has worked in many studios like Mac Guff Line, DNEG, Weta Digital, MELS and joined Framestore in 2017. He has worked on many films such as AVATAR, THE ADVENTURES OF TINTIN, JOHN CARTER and RACE.