NOW YOU SEE ME 2 - search results
If you're not happy with the results, please do another search
JURASSIC WORLD – FALLEN KINGDOM: James D. Fleming (VFX Supervisor) &...
James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD.
Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.
THREE “Free Your Puggerfly”: Making of by The Mill
Come see how The Mill have created the cute Puggerfly for this THREE commercial:
WANT TO KNOW MORE?
The Mill: Dedicated page about THREE "Free Your...
DEADPOOL 2: Dan Macarin – VFX Supervisor – Weta Digital
Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.
DEADPOOL 2: Sean Konrad (VFX Supervisor) & John Likens (Creative Director)...
Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE.
John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.
DEADPOOL 2: Mike Brazelton – VFX Supervisor – DNEG
Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.
DEADPOOL 2: Stephane Nazé – VFX Supervisor – Framestore
At the beginning of the year, Stephane Nazé explained the work of Framestore on DOWNSIZING. He talks to us today about DEADPOOL 2.
AVENGERS – INFINITY WAR: Greg Steele – VFX Supervisor – Method...
Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.
DEADPOOL 2: Dan Glass – Overall VFX Supervisor
Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.
AVENGERS – INFINITY WAR: Patric Roos (VFX Supervisor) & Liam Russell...
Patric Roos has 20 years of experience in visual effects. He has worked in many studios like MPC, Industrial Light & Magic and DNEG before joining Framestore in 2015. He has worked on many films such as CLASH OF THE TITANS, THE AVENGERS, STAR TREK: INTO DARKNESS, GODZILLA and GUARDIANS OF THE GALAXY VOL. 2.
Liam Russell began his career in animation at Framestore in 2008. He has worked on many films such as AVATAR, 47 RONIN, GRAVITY and the two GUARDIANS OF THE GALAXY movies.
AVENGERS – INFINITY WAR: Kelly Port (VFX Supervisor) with Phil Cramer...
In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.