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THE GENTLEMEN: James Etherington-Sparks – VFX Supervisor – Union VFX
James Etherington-Sparks began his career in visual effects nearly 20 years ago at Cinesite. He then worked in many studios like DNEG, The Mill before joining Union VFX in 2017. He has worked on many projects such as CAPTAIN AMERICA: THE FIRST AVENGER, TOTAL RECALL, MAN OF STEEL and DUNKIRK.
TOGO: Raymond Chen – VFX Supervisor – DNEG
Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.
THE WITCHER: Christopher Gray – VFX Producer – Framestore
What is your background?
Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...
The Aeronauts: Christian Kaestner – VFX Supervisor – Framestore
Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.
TERMINATOR – DARK FATE: Eric Barba – Overall VFX Supervisor –...
Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.
THE CURRENT WAR: Justin Ball – Overall VFX Supervisor & Second...
In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.
THE DARK CRYSTAL – AGE OF RESISTANCE: Peter Eszenyi – VFX...
In 2018, Peter Eszenyi explained the work of Territory Studio on PACIFIC RIM: UPRISING. He then worked on JOHNNY ENGLISH STRIKES AGAIN and BLACK MIRROR. He talks to us today about his work on the prologue of THE DARK CRYSTAL series.
TERMINATOR – DARK FATE: Jay Barton – VFX Supervisor – Digital...
In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.
THE KING: Oliver Atherton – VFX Supervisor – DNEG
Oliver Atherton began his career in visual effects in 2002 at DNEG. He works on many films like KICK ASS, MAN OF STEEL, INTERSTELLAR and HOSTILES.
TERMINATOR – DARK FATE: Tim Miller – Director & Co-Founder of...
In April 2019, Tim Miller told us about his work on LOVE, DEATH & ROBOTS. Today, he talks about the challenges of his new film, TERMINATOR: DARK FATE.