No Time To Die - résultats de la recherche

In 2018, Jonathan Weber explained the work of RISE on BLACK PANTHER. He then worked on films such as DUMBO, SHAZAM, AVENGERS: ENDGAME and FAST & FURIOUS PRESENTS: HOBBS & SHAW.

Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.

In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA. A few months ago, Phi Van Le told us about his work on MIDWAY. He then worked on FOR ALL MANKIND and WATCHMEN.

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

Ten years ago, Ged Wright told us about the work of DNEG on IRON MAN 2. He then worked on many films such as ATTACK THE BLOCK, MAN OF STEEL, GODZILLA and ASSASSIN'S CREED.

In 2017, Richard Hoover explained the work of Framestore on BLADE RUNNER 2049. He won a Best Achievement in Visual Effects at the Academy Awards for this work. He then worked on DUMBO. Today he tells us about his work on 6 UNDERGROUND by Michael Bay.

Time goes by so fast! The Art of VFX is now in its 10th year! After more than 840 interviews, a mobile app and over...

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

Julian Parry began his film career as a special effects technician in the early 1980s. He began working in visual effects in 1990 at Rushes Post Production and works on a large number of projects such as SEVEN WONDERS OF THE INDUSTRIAL WORLD, CAMELOT, TITANIC: BLOOD AND STEEL and VIKINGS.

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.