No Time To Die - résultats de la recherche

In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.

Before arriving at Cinesite in 2013, Richard Clarke has worked in many studios such as Industrial Light & Magic, CFC and Double Negative. He has participated in many films like STAR WARS: EPISODE II - ATTACK OF THE CLONES, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and many HARRY POTTER (like HARRY POTTER AND THE GOBLET OF FIRE or HARRY POTTER AND THE ORDER OF THE PHOENIX).

In his last interview, Jon Neill had explained in details the work of Cinesite on SKYFALL. Now, he tells us about his work on THE MONUMENTS MEN.

Laurent Taillefer worked for more than 10 years in visual effects. He worked in France especially at Mikros Image then went to Montreal. He worked for several studios such as New Breed Vfx, Vision Globale or Mokko Studio and participated in projects like PIRANHA 3D, MIRROR MIRROR or ASTERIX AND OBELIX: GOD SAVE BRITANNIA.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Few weeks ago, Rudi Holzapfel explained the work of Baseblack on JACK RYAN: SHADOW RECRUIT. He is back to tell us about 47 RONIN.

Last year, Craig Calvert had told us about the previs work of Mr. X on PACIFIC RIM. He then worked on the TV series THE STRAIN. And now he explains his work on the remake of ROBOCOP.

Chris MacLean has joined the team of Mr. X in 2010. He has participated in many RESIDENT EVIL, THE THING or CARRIE. This is his fourth film with director Paul W.S. Anderson.

Mert Kizilay is a designer and director based in Los Angeles. He graduated from Fine Arts Animation School in Eski?ehir/Turkey. He has recently joined the teams of yU+co as designer.

Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.