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Bullet Train: Stephen James – VFX Supervisor – DNEG
Stephen James started his career in visual effects in 2005 at DNEG. He went on to work at Digital Domain, Image Engine and Scanline...
Spiderhead: Dominic Hellier – VFX Supervisor – Method Studios
Dominic Hellier started his career in visual effects 19 years ago at Iloura which later became Method Studios and now Framestore. He has worked...
Netflix acquires Animal Logic
What a big news! After Scanline VFX, Netflix has decided to acquire a new studio with Animal Logic!
Here is the press release:
Netflix and Animal...
The Lost City: Jonathan Bowen – VFX Supervisor – DNEG
Jonathan Bowen has been working in visual effects for over 25 years. He has worked at many studios such as Cinesite, Weta FX, ILM...
Doctor Strange in the Multiverse of Madness: Julian Foddy (VFX Supervisor)...
Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...
Moon Knight: Sean Andrew Faden – Production VFX Supervisor
About ten years ago, Sean Andrew Faden explained the visual effects work done by Method Studios on The Girl with the Dragon Tattoo. He...
Fantastic Beasts – The Secrets of Dumbledore: Christian Manz – Production...
Back in 2018, Christian Manz explained the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He's back today to tell us in...
The Batman: Julius Lechner – VFX Supervisor – Scanline VFX
Last year, Julius Lechner explained the visual effects work done by Scanline VFX on Zack Snyder's Justice League. He then worked on Eternals.
How did...
The Wheel of Time: Oliver Winwood and David Sewell – VFX...
Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He's back to talk about another series and MPC's work.
Oliver...
Home Sweet Home Alone: Martin Lipmann – Production VFX Supervisor
In 2014, Martin Lipmann told us about Vision Globale (now MELS) work for Brick Mansions. He then joined the Rodeo FX teams in 2015...