The Sea Beast - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
DEADPOOL: Wayne Brinton – VFX Supervisor – Rodeo FX
In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.
TERMINATOR GENISYS: Sheldon Stopsack – VFX Supervisor – MPC
Stopsack Sheldon began his career in the visual effects in 2002 at Ambient Entertainment. He joined MPC in 2007 and worked on films such as CLASH OF THE TITANS, PROMETHEUS, SKYFALL or X-MEN: DAYS OF FUTURE PAST.
HOW TO TRAIN YOUR DRAGON 2: Simon Otto – Head of...
n 2010, Simon Otto had explained in detail about his work at Dreamworks Animation on the first episode of HOW TO TRAIN YOUR DRAGON. He then worked on several shorts inspired by this film. He is now back with the second episode.
X-MEN – DAYS OF FUTURE PAST: Lou Pecora – VFX Supervisor...
Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.
X-MEN – DAYS OF FUTURE PAST: Richard Stammers – Production VFX...
In 2010, Richard Stammers had explained to us the work of MPC on ROBIN HOOD, he then oversaw the effects of PROMETHEUS and THE COUNSELOR. Today he explains his work on his first superhero movie.
NOAH: Philippe Rebours – Associate VFX Supervisor – Industrial Light &...
Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...
VAMPIRE ACADEMY: Marc Jouveneau – VFX Supervisor – Prime Focus World
Marc Jouveneau worked for more than 20 years in visual effects. He began his career in France before crossing the English Channel and going to London. He has worked on various projects such as CASINO ROYALE, DREDD, BYZANTIUM or THE GREAT GATSBY.
GRABBERS: Paddy Eason – VFX Supervisor – Nvizible
Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.
LOOPER: Karen Goulekas – Production VFX Supervisor
Karen Goulekas is back on The Art of VFX. In the following interview, she explains her collaboration with director Rian Johnson and the various challenges she encountered on this project.
RESIDENT EVIL: RETRIBUTION – Eric Robinson (Digital Visual Effects Supervisor) and...
RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.