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EDGE OF TOMORROW: Jonathan Fawkner – VFX Supervisor – Framestore
In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.
EDGE OF TOMORROW: Matt Kasmir – VFX Supervisor – Nvizible
Matt Kasmir began his career in the VFX in 1988 at The Computer Film Company. He works in the compositing and participates in many films such as KING KONG, V FOR VENDETTA or STARDUST. He joined Nvizible for GRABBERS and works on films like WRATH OF THE TITANS, SKYFALL or GRAVITY.
THE HOBBIT – THE DESOLATION OF SMAUG: Robin Hollander – Compositing...
The last time, Robin Hollander had explained his work as Compositing Supervisor on THE HOBBIT: AN UNEXPECTED JOURNEY. He then worked on IRON MAN 3. It is now back in Middle Earth.
THE LONE RANGER: Tim Alexander – VFX Supervisor – ILM
Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.
TRANSFORMERS: DARK OF THE MOON – Digital Domain
Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Matt Johnson work since over 15 years in visual effects at Cinesite. He participated in many projects such as EVENT HORIZON and LOST IN SPACE. And supervised a large number of show from KING ARTHUR to THE GOLDEN COMPASS passing by V FOR VENDETTA.
Black Adam: Sheldon Stopsack – VFX Supervisor – Weta FX
Last year, Sheldon Stopsack explained the visual effects work of Weta FX on The Tomorrow War. Today he tells us about his new collaboration...
Spiderhead: Dominic Hellier – VFX Supervisor – Method Studios
Dominic Hellier started his career in visual effects 19 years ago at Iloura which later became Method Studios and now Framestore. He has worked...
Deadpool & Wolverine: Swen Gillberg (Production VFX Supervisor) & Lisa Marra...
For over 25 years, Swen Gillberg has been a key figure in the world of visual effects, working on blockbuster films like Furious 7,...
A Haunting In Venice: Artemis Oikonomopoulou – Production VFX Supervisor –...
With over 20 years' experience in visual effects, Artemis Oikonomopoulou has worked in several studios including Framestore, DNEG and Cinesite. She has worked on...