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Last June, Brendan Taylor explained the work of Mavericks VFX on the TV series WHAT WE DO IN THE SHADOWS. He is coming back today to talk about Amazon Studios’ THE BOYS.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

In 2012, Martin Pelletier explained the work of Modus FX on MIRROR MIRROR. He joined Rodeo FX in 2014 and became the Head of Studio for their Quebec City office. As a VFX Supervisor, he took care of the effects of projects such as FEAR THE WALKING DEAD, DEATH WISH, KRYPTON and THE WALKING DEAD.

Elliot Newman began his career in visual effects in 2002 and joined MPC in 2004. He worked on many films such as PROMETHEUS, WORLD WAR Z, 300: RISE OF AN EMPIRE and THE JUNGLE BOOK.

Last year, Oliver Schulz explained the work of RISE on AVENGERS: INFINITY WAR. He talks to us today about CAPTAIN MARVEL.

In 2017, Christopher Townsend explained his work on GUARDIANS OF THE GALAXY VOL.2. He talks to us today about his fifth film in the Marvel Cinematic Universe, CAPTAIN MARVEL.

Nigel Denton-Howes told us about Prime Focus's work on THE EXPENDABLES 3 in 2014. He then joined Framestore and worked on AVENGERS: AGE OF ULTRON. He talks to us today about his work as Overall VFX Supervisor on MOWGLI - LEGEND OF THE JUNGLE. In 2014, Max Solomon told us about the work of Framestore on GRAVITY. He then works on JUPITER ASCENDING.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

Ben White began his VFX career at Mill Film in 1998. He then worked at Framestore and MPC before joining Nvizible. He has worked...

Andrew Whitehurst began his visual effects career at Electric Image in 1998. He joined Framestore in 2003. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.