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FAST & FURIOUS 6: Koen Vroeijenstijn – CG Supervisor – Image...
Koen Vroeijenstijn worked in the video game at Guerrilla Games before coming to the U.S. and joining DreamWorks Animation. He worked on projects such as KUNG FU PANDA, MEGAMIND or RISE OF THE GUARDIANS. He then joined Image Engine to work on ELYSIUM.
JACK THE GIANT SLAYER: Ara Khanikian – VFX Supervisor – Rodeo...
Since his last visit on The Art of VFX for THE THREE MUSKETEERS, Ara Khanikian worked on films like IMMORTALS, UNDERWORLD: AWAKENING, RED TAILS or MIRROR MIRROR.
THE GRANDMASTER (YI DAI ZONG SHI): Isabelle Perin-Leduc – VFX Supervisor...
Isabelle Perin-Leduc began her career in visual effects at BUF in 2003. She has worked on many commercials before moving on feature films such as the trilogy of ARTHUR AND THE INVISIBLES, MR. MAGORIUM'S WONDER EMPORIUM, BE KIND REWIND or SPEED RACER.
G.I. JOE – RETALIATION: Ollie Rankin – VFX Supervisor – Method...
Since his last appearance on The Art of VFX where he told us about the VFX of Method Studios on J. EDGAR, Ollie Rankin worked on RED DAWN.
VIKINGS – Main Title: Westley Sarokin – VFX Supervisor – The...
Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.
OZ THE GREAT AND POWERFUL: Scott Stokdyk – Senior VFX Supervisor...
Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.
DEAD SPACE 3 – TAKE DOWN THE TERROR: Neil Huxley, Director...
Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.
HANSEL & GRETEL WITCH HUNTERS: Rebecca Marie – VFX Producer &...
Having worked for many years at Pacific Data Images (PDI) on projects such as TOYS, TRUE LIES or NATURAL BORN KILLERS, Rebecca Marie founded Hammerhead in 1995 with Jamie Dixon, Thad Beier and Dan Chuba. She has participated in very many movies including TITANIC, DEEP BLUE SEA, X2, WANTED or THE BOOK OF ELI.
A GOOD DAY TO DIE HARD: Joe Farrell – VFX Supervisor...
After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.
A GOOD DAY TO DIE HARD: Dan Mayer – CG Supervisor...
Dan Mayer began working in visual effects more than 10 years ago. He has participated in series TV such as DEAD LIKE ME or STARGATE: ATLANTIS and also on many movies including NIGHT AT THE MUSEUM, TROPIC THUNDER, SALT or DARK SHADOWS.