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Society of the Snow: Félix Bergés & Laura Pedro – Production...
In 2014, Félix Bergés explained the visual effects created by El Ranchito on The Homesman. He went on to work on various projects including...
The Last Voyage of the Demeter: Andreas Giesen – VFX Supervisor...
In 2022, Andreas Giesen explained to us the visual effects work created by RISE on The Matrix Resurrections. He talks to us today about...
Dungeons & Dragons – Honor Among Thieves: Todd Vaziri – Compositing...
With over 26 years of experience in visual effects (including 21 at ILM), Todd Vaziri has a large number of films in his filmography...
Chupa: Matt Glover & Mitch Drain – VFX Supervisors
In 2019, Matt Glover explained the visual effects work done by Mr. X (now MPC) on the first season of Carnival Row. He then...
Top Gun – Maverick: Seth Hill – VFX Supervisor – Method...
In 2017, Seth Hill explained the visual effects work done by Atomic Fiction (become Method Studios and now Framestore). He went on to work...
House of the Dragon: Sven Martin – VFX Supervisor – Pixomondo
In 2021, Sven Martin explained the visual effects work made by Pixomondo on Without Remorse. He then worked on Help, I Shrunk My Friends...
The 1000th interview: Duncan McWilliam – Founder & CEO – Outpost...
Headquartered in Bournemouth, UK, and with offices in Montréal, London, Los Angeles and Mumbai, Outpost VFX exists to bring vivid creative ideas to life...
Thor – Love and Thunder: Pete Dionne & Matthew Twyford –...
In 2019, Pete Dionne explained the work made by MPC on Pokémon: Detective Pikachu. He then joined the teams of Method Studios in 2021...
Doctor Strange in the Multiverse of Madness: Julian Foddy (VFX Supervisor)...
Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...
Moonfall: Robert Winter – VFX Supervisor – Framestore
In 2020, Robert Winter explained the work of Framestore on Lady and The Tramp. He then worked on Army of the Dead.
How did you...