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Little back of few months with this interview of Nicolas Aithadi which talks about his work on HARRY POTTER AND THE HALF BLOOD PRINCE. After a few years in the videogame (FINAL FANTASY X, TOMB RAIDER 5) and french movies (Vidocq, Asterix Mission Cleopatra) Nicolas Aithadi took on the Londonian Adventure and joined The Moving Picture Company and worked on such projects as TROY, ALEXANDER, CHARLIE AND THE CHOCOLATE FACTORY. He is now working on the next installment of the HARRY POTTER franchise.

Alessandro Cioffi has built his knowledge of visual effects by working in various studios in Italy, London or Germany. He participated to the compositing of such movies as 300, KINGDOM OF HEAVEAN or SWEENEY TODD. He joined the Trixter in 2007 and NINJA ASSASSIN mark its first movie as visual effects supervisor. He talks about his work on NINJA ASSASSIN and how Trixter has managed this ambitious project.

Kevin Mack begins his visual effects career as model painter on THE ABYSS. Then he joins Digital Domain as matte painter, he will work on this position on films such as TRUE LIES or THE FIFTH ELEMENT. He becomes then a VFX supervisor of WHAT DREAMS MAY COME, FIGHT CLUB or VANILLA SKY. In 2002, Kevin Mack leaves Digital Domain to join Sony Imageworks where he will supervise SPEED RACER, GHOST RIDER or BIG FISH. In the interview which follows, he speaks to us about his work of visual effects supervision on PERCY JACKSON.

Jonathan Fawkner is working since 10 year at Framestore. He has worked on the most biggest projects of the studio such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT. In the following interview, he talks about the challenges encounter on AVATAR.