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Great news for the VFX industry in Montreal, Pixomondo is coming in town! Here is the official press release: VFX HOUSE PIXOMONDO ANNOUNCES OPENING OF MONTRÉAL...

Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.

Big news! New acquisition inside the visual effects industry as Trixter is now part of Cinesite! Here is the official press release: TRIXTER, GERMANY’S LEADING VFX...

In 2017, Joseph Kasparian had explained to us the work of Hybride on ROGUE ONE: A STAR WARS STORY. He then worked on ASSASSIN'S CREED, VALERIAN AND THE CITY OF A THOUSAND PLANETS, MOTHER! and STAR WARS: THE LAST JEDI. François Lambert began his career in the visual effects in 1994 at Hybride. He joined Industrial Light & Magic in 2003 and then returned to Hybride in 2017. He worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, STAR TREK, PACIFIC RIM and STAR WARS: THE LAST JEDI.

Milk is growing and welcomes Kat Mann as a new Head of Production for their 5th birthday! Here is the press release: OSCAR WINNING VFX STUDIO...

Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.

In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

Tadao Matsuno has been working in visual effects for almost 20 years. He has worked on films such as CHARLIE'S ANGELS, PINGPONG, VEXILLE and TOMORROW'S JOE. He has been working at Oxybot since 2004.

Will Reichelt has nearly 20 years of experience in the visual effects, most of which at Animal Logic. He has worked on films like WORLD TRADE CENTER, AUSTRALIA, KNOWING and SUCKER PUNCH. As a VFX Supervisor, he took care of the effects of films such as WALKING WITH DINOSAURS 3D and MONK COMES DOWN THE MOUNTAIN. With more than 32 years of experience in animation and VFX, Rob Coleman has worked on many films such as THE MASK, DRAGONHEART, STAR WARS (EPISODES I to III), HAPPY FEET TWO and THE LEGO BATMAN MOVIE.