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Jim Mitchell began his career at Industrial Light & Magic on Terminator 2: Judgment Day! He went on to work on many of the...

Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

Raphael Hamm has been working in visual effects for almost 20 years. He has worked in many studios such as Scanline VFX and Trixter...

In 2019, Simon Stanley-Clamp explained Cinesite's work on Avengers: Endgame. He then completely changed of universe with the Netflix's fantasy series, Fate: The Winx...

Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

Last year Oliver Atherton explained in detail the work of DNEG on THE KING. He is back today to take us into space and tell us about AWAY.

In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.

Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR...

Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.

In 2015, Marshall Krasser told us about Prime Focus World's work on MORTDECAI. He then worked at Psyop, CoSA VFX before joining FuseFX in 2018. He worked on many series such as THE MAN IN THE HIGH CASTLE, LUCIFER and THE 100.