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THE HOUSE WITH A CLOCK IN ITS WALLS: Louis Morin –...

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Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.

THE PREDATOR: VFX work by MPC

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MPC have just release a full package of before & after pictures about their work on THE PREDATOR: Here is the press release: MPC Film Upgrade...

THE MEG: Adrian de Wet – Overall VFX Supervisor

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In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

THE MEG: Mohsen Mousavi – VFX Supervisor – Scanline VFX

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Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline VFX in 2012 and works on 300: RISE OF AN EMPIRE. He then takes care of the effects on POMPEII, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.

THE MEG: Sue Rowe – VFX Supervisor – Sony Pictures Imageworks

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In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

MISSION: IMPOSSIBLE – FALLOUT: Huw Evans – VFX Supervisor – DNEG

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In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.

ANT-MAN AND THE WASP: Stephane Paris – VFX Supervisor – Cinesite

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At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.

HOTEL ARTEMIS: Venti Hristova – VFX Supervisor – Cantina Creative

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Venti Hristova started her career in visual effects in 2006. She worked on many films such as SPEED RACER, TERMINATOR SALVATION, AVATAR and IRON MAN 2. As a VFX Supervisor, she took care of the effects of films like THE AVENGERS, IRON MAN 3, GUARDIANS OF THE GALAXY VOL. 2 and SPIDER-MAN: HOMECOMING.

ANT-MAN AND THE WASP: Alessandro Ongaro – VFX Supervisor – DNEG

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Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...

DEADPOOL 2: Mike Brazelton – VFX Supervisor – DNEG

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Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.