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A GOOD DAY TO DIE HARD: Dan Mayer – CG Supervisor...
Dan Mayer began working in visual effects more than 10 years ago. He has participated in series TV such as DEAD LIKE ME or STARGATE: ATLANTIS and also on many movies including NIGHT AT THE MUSEUM, TROPIC THUNDER, SALT or DARK SHADOWS.
CLOUD ATLAS: Florian Gellinger – VFX Supervisor – RISE
Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.
LIFE OF PI: Geoffrey Niquet – VFX Supervisor – BUF
Geoffrey Niquet is back on The Art of VFX. He had explained his work on ENTER THE VOID. He speaks to us now about BUF work on LIFE OF PI.
LIFE OF PI: Guillaume Rocheron – VFX Supervisor – MPC
Guillaume Rocheron is back for the last interview in 2012 on The Art of VFX! After he has talked about the giants samurais created by MPC for SUCKER PUNCH, it attacks with LIFE OF PI to the creation of unbridled elements in the open ocean.
LOOPER: Ryan Tudhope – Co-Founder & VFX Supervisor – Atomic Fiction
Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.
DREDD: Jon Thum – VFX Supervisor – Prime Focus World
Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.
TOTAL RECALL: Aleksandar Pejic – VFX Supervisor – Prime Focus
Aleksandar Pejic has worked for many years at Double Negative and particularly on films such as BATMAN BEGINS, CHILDREN OF MEN, THE DARK KNIGHT or INCEPTION. He then joined Prime Focus and supervises the effects of TOTAL RECALL.
PROMETHEUS: Charley Henley – VFX Supervisor – MPC
Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.
SNOW WHITE AND THE HUNTSMAN: Henry Hobson – Creative Director –...
After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.
DARK SHADOWS: Christophe Dupuis – VFX Supervisor VFX – Buf
Chrisophe Dupuis joined BUF in 1995. He has worked on many projects such as BATMAN & ROBIN, FIGHT CLUB or SPEED RACER.