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Daniel Leduc is a true pioneer in the visual effects in Canada, he founded with 3 other partners the company Hybride that has achieved the effects of many films such as the SPY KIDS trilogy, SIN CITY, 300 or JOURNEY TO THE CENTER OF THE EARTH. They just completed AVATAR.

Alessandro Cioffi has built his knowledge of visual effects by working in various studios in Italy, London or Germany. He participated to the compositing of such movies as 300, KINGDOM OF HEAVEAN or SWEENEY TODD. He joined the Trixter in 2007 and NINJA ASSASSIN mark its first movie as visual effects supervisor. He talks about his work on NINJA ASSASSIN and how Trixter has managed this ambitious project.

Kevin Mack begins his visual effects career as model painter on THE ABYSS. Then he joins Digital Domain as matte painter, he will work on this position on films such as TRUE LIES or THE FIFTH ELEMENT. He becomes then a VFX supervisor of WHAT DREAMS MAY COME, FIGHT CLUB or VANILLA SKY. In 2002, Kevin Mack leaves Digital Domain to join Sony Imageworks where he will supervise SPEED RACER, GHOST RIDER or BIG FISH. In the interview which follows, he speaks to us about his work of visual effects supervision on PERCY JACKSON.