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COSMOPOLIS: James Cooper – Lead Compositor – Mr. X
James Cooper has worked in several studios including Topix and Spin VFX before joining Mr. X. He has participated in films like RESIDENT EVIL: AFTERLIFE, HANNA or THE THREE MUSKETEERS.
SNOW WHITE AND THE HUNTSMAN: Bryan Hirota – VFX Supervisor –...
Since its passage in The Art of VFX for SUCKER PUNCH, Bryan Hirota worked on TREE OF LIFE and then joined Pixomondo to oversee the effects of films such as GREEN LANTERN, JOURNEY 2: THE MYSTERIOUS ISLAND and WRATH OF THE TITANS.
PROMETHEUS: Martin Hill – VFX Supervisor – Weta Digital
Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.
THE AVENGERS: Simon Maddison – VFX Supervisor – Fuel VFX
Simon Maddison is back on The Art of VFX. After he discuss the effects of Fuel VFX on COWBOYS & ALIENS, now he explains his work on THE AVENGERS.
THE AVENGERS: Vincent Cirelli – VFX Supervisor – Luma Pictures
Luma Pictures is back on The Art of VFX to tell us about their participation on THE AVENGERS. Vincent Cirelli and his team explain in detail their work on this show.
RUST & BONE: Cedric Fayolle – VFX Supervisor – Mikros Image
Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.
DARK SHADOWS: Mark Breakspear – VFX Supervisor – Method Studios
Mark Breakspear has worked for over 20 years in visual effects for studios such as Digital Muse, Rainmaker or CIS Vancouver. He participated in many TV series like STAR TREK VOYAGER or STARGATE ATLANTIS as well as films like THE DA VINCI CODE, LIVE FREE OR DIE HARD, SALT or THE GREEN HORNET.
BATTLESHIP: Paul Mitchell – Creative Director – Prologue Films
Paul Mitchell has worked 13 years at the BBC as a design director. In 2007, he joined Prologue Films and worked on numerous commercials and movie title such as IRON MAN 2 as Creative Director. He explains the challenges in this adaptation of the board game Battleship.
DARK SHADOWS: Arundi Asregadoo – VFX Supervisor – MPC
Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.
CONTRABAND: Dadi Einarsson – VFX Supervisor – Framestore Iceland
Dadi Einarsson has over 20 years experience in the VFX. He started in Iceland before moving to London and New York. He has worked at The Mill and Framestore for projects like AUSTRALIA, SHERLOCK HOLMES or CLASH OF THE TITANS. In 2008, he returned to Iceland and founded Framestore Iceland.