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Simon Maddison joined Fuel VFX nearly 11 years ago. He has worked on projects like FARSCAPE or RIVERWORLD. Then he will oversee the effects of CHARLOTTE'S WEB or BEDTIME STORIES. In the following interview, he talks about his work on COWBOYS & ALIENS.

After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

Angela Barson worked almost eight years at MPC, starting with compositing (TROY and CHARLIE AND THE CHOCOLATE FACTORY) and ending as VFX supervisor for films like CASINO ROYALE and QUANTUM OF SOLACE. In 2009, she founded BlueBolt with Lucy Ainsworth-Taylor and Chas Jarrett. Since then she has overseen the effects of films such as JANE EYRE or FAST FIVE.

Ed Bruce has worked for many years at Screen Scene. He started as an 3D artist, then Head of 3D and finally as VFX Supervisor. He worked on projects like the SILENT CITY, MY BOY JACK and ALBERT NOBBS Nobbs. In the following interview, he talks about his work on the TV series GAME OF THRONES.

After telling us about his work at Double Negative on KICK ASS, Mattias Lindahl is back on The Art of VFX to tell us about his new project, ATTACK THE BLOCK, this time at Fido in Sweden.

Stephane Ceretti is back on The Art of VFX. After PRINCE OF PERSIA and X-MEN FIRST CLASS, he talks to us about his work on set on CAPTAIN AMERICA.

Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.

Ajoy Mani began his career at Available Light Ltd where he worked on projects such as BLUES BROTHERS 2000 or MY FAVORITE MARTIAN. In 2007 he joined the teams of Worldwide FX to work on RIGHTEOUS KILL as VFX supervisor. Since then he oversaw the effects of films like THE MECHANIC or DRIVE ANGRY. In the following interview, he talks about his work on CONAN THE BARBARIAN.

Dave Morley has been evolving for over 10 years in visual effects. He has worked on films such as MOULIN ROUGE, SEE NO EVIL, or CHARLOTTE'S WEB. As a VFX supervisor, he has worked on films like ROGUE, THE SPIRIT or AUSTRALIA. Jason Bath is also evolving over the past ten years in visual effects. As VFX executive producer, he has worked on many projects in common with Dave Morley at Fuel VFX. In the following interview, they talk about their work on CAPTAIN AMERICA.

Roger Guyett began his career in London and then went to America and worked at PDI before joining ILM. He will work on projects like CASPER, TWISTER or MARS ATTACKS! He will oversee the VFX for two Harry Potter (HARRY POTTER AND THE PHILOSOPHER'S STONE and HARRY POTTER AND THE PRISONER OF AZKABAN), STAR WARS EPISODE III: REVENGE OF THE SITH or STAR TREK. He received a BAFTA for Best Visual Effects for SAVING PRIVATE RYAN.