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SHARK NIGHT 3D: Petar Jovovic – VFX Supervisor – Crater Studio
Petar Jovovic founded with several artists and friends, Crater Studio in 2005. He has since worked on films like TEARS FOR SALE, THE READER or THE OTHER GUYS. In the following interview, he talks about his work on SHARK NIGHT 3D.
FINAL DESTINATION 5: Chad Wiebe – VFX Supervisor – Prime Focus
Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.
GAME OF THRONES: Kirk Shintani – CG Supervisor – a52 /...
Kirk Shintani worked for many years as a freelancer before joining teams of a52/elastic. In the following interview, he talks about his work on the main title of GAME OF THRONES for which he received an Emmy Award.
COWBOYS & ALIENS: Simon Maddison – VFX Supervisor – Fuel VFX
Simon Maddison joined Fuel VFX nearly 11 years ago. He has worked on projects like FARSCAPE or RIVERWORLD. Then he will oversee the effects of CHARLOTTE'S WEB or BEDTIME STORIES. In the following interview, he talks about his work on COWBOYS & ALIENS.
CAPTAIN AMERICA – THE FIRST AVENGER: Charlie Noble – VFX Supervisor...
After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.
GAME OF THRONES: Angela Barson – VFX Supervisor – BlueBolt
Angela Barson worked almost eight years at MPC, starting with compositing (TROY and CHARLIE AND THE CHOCOLATE FACTORY) and ending as VFX supervisor for films like CASINO ROYALE and QUANTUM OF SOLACE. In 2009, she founded BlueBolt with Lucy Ainsworth-Taylor and Chas Jarrett. Since then she has overseen the effects of films such as JANE EYRE or FAST FIVE.
GAME OF THRONES: Ed Bruce – VFX Supervisor – Screen Scene...
Ed Bruce has worked for many years at Screen Scene. He started as an 3D artist, then Head of 3D and finally as VFX Supervisor. He worked on projects like the SILENT CITY, MY BOY JACK and ALBERT NOBBS Nobbs. In the following interview, he talks about his work on the TV series GAME OF THRONES.
ATTACK THE BLOCK: Mattias Lindahl – VFX Supervisor – Fido
After telling us about his work at Double Negative on KICK ASS, Mattias Lindahl is back on The Art of VFX to tell us about his new project, ATTACK THE BLOCK, this time at Fido in Sweden.
CAPTAIN AMERICA – THE FIRST AVENGER: Stephane Ceretti – 2nd Unit...
Stephane Ceretti is back on The Art of VFX. After PRINCE OF PERSIA and X-MEN FIRST CLASS, he talks to us about his work on set on CAPTAIN AMERICA.
AFTERSHOCK (TANGSHAN DADIZHEN): Phil Jones – VFX Supervisor – Technicolor Beijing
Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.