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Ajoy Mani began his career at Available Light Ltd where he worked on projects such as BLUES BROTHERS 2000 or MY FAVORITE MARTIAN. In 2007 he joined the teams of Worldwide FX to work on RIGHTEOUS KILL as VFX supervisor. Since then he oversaw the effects of films like THE MECHANIC or DRIVE ANGRY. In the following interview, he talks about his work on CONAN THE BARBARIAN.

Dave Morley has been evolving for over 10 years in visual effects. He has worked on films such as MOULIN ROUGE, SEE NO EVIL, or CHARLOTTE'S WEB. As a VFX supervisor, he has worked on films like ROGUE, THE SPIRIT or AUSTRALIA. Jason Bath is also evolving over the past ten years in visual effects. As VFX executive producer, he has worked on many projects in common with Dave Morley at Fuel VFX. In the following interview, they talk about their work on CAPTAIN AMERICA.

Roger Guyett began his career in London and then went to America and worked at PDI before joining ILM. He will work on projects like CASPER, TWISTER or MARS ATTACKS! He will oversee the VFX for two Harry Potter (HARRY POTTER AND THE PHILOSOPHER'S STONE and HARRY POTTER AND THE PRISONER OF AZKABAN), STAR WARS EPISODE III: REVENGE OF THE SITH or STAR TREK. He received a BAFTA for Best Visual Effects for SAVING PRIVATE RYAN.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

Scott Farrar began his VFX career with STAR TREK: THE MOTION PICTURE. He joined ILM in 1981 and works on most legendary projects of the studio like the BACK TO THE FUTURE trilogy, WILLOW, WHO FRAMED ROGER RABBIT or JURASSIC PARK. As a VFX supervisor, he worked on movies like BACKDRAFT, MINORITY REPORT or the TRANSFORMERS trilogy. He received an Oscar for Best Visual Effects for COCOON.

Doug Campbell began working in visual effects since over 25 years. He participated in many TV series like STARGATE: SG-1, STARGATE: ATLANTIS or KINGDOM HOSPITAL. At Spin VFX, he worked on films such as OUTLANDER, LEGION or BATTLE LOS ANGELES. In the following interview, he talks about his supervision work for the series The Borgias for which he received an Emmy Awards nomination.

Karen Goulekas has over 25 years of experience in visual effects. She has worked in many studios such as Boss Film or Digital Domain. She has worked on such films as TRUE LIES, THE FIFTH ELEMENT or TITANIC. In 1998, she seized the opportunity to be Production VFX Supervisor on GODZILLA. She has since overseen the effects of movies like THE DAY AFTER TOMORROW or 10,000 BC.

After studying at the School of Art and Design of Zurich, Raffael Dickreuter joined the team of Pixel Liberation Front. He worked in many projects such as SUPERMAN RETURNS, TERMINATOR SALVATION, IRON MAN 2 or AVATAR. In 2002, he founded the reference site XSI Base.

Digic Pictures became known by working on the effects of TERMINATOR 3: RISE OF THE MACHINES. They then conducted numerous cinematic games like ARMIES OF EXIGO, WARHAMMER or DRAGON AGE 2. And of course, the impressive cinematics for the last three ASSASSIN'S CREED. In the following interview, the team Digic Pictures tell us about his work on ASSASSIN'S CREED REVELATIONS.

Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.