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THE GREEN HORNET: Greg Oehler – VFX Supervisor – CIS Hollywood
Greg Oehler worked at CIS Hollywood for over 15 years and has participated in many projects such as TITANIC, THE BOURNE ULTIMATUM, WATCHMEN or INVICTUS.
TRUE GRIT: Vincent Cirelli – VFX Supervisor – Luma Pictures
After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.
HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX
Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.
BLACK SWAN: Dan Schrecker – VFX Supervisor – Look Effects
Dan Schrecker has worked on all the movies of Darren Aronofsky's from PI to BLACK SWAN. He also worked on films such as THE DARJEELING LIMITED, ACROSS THE UNIVERSE or LAW ABIDING CITIZEN and the TV serie THE SOPRANOS. In 2008, he joined the staff of Look Effects.
THE GREEN HORNET: Jamie Dixon – VFX Supervisor & Co-founder –...
Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.
TRON LEGACY: Charlie Iturriaga – VFX Supervisor – Ollin Studio
After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.
TRON LEGACY: Danny Yount – Creative Director – Prologue Films
Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.
TRON LEGACY: Aaron Weintraub – VFX Supervisor – Mr. X
Co-founder of the studio Mr. X in 2001, Aaron Weintraub oversees many films like A HISTORY OF VIOLENCE, SCOTT PILGRIM VS THE WORLD or REPO MEN. He recently completed the VFX supervision of THE FACTORY.
The Art of VFX celebrates its 1st birthday!
[lang_fr]Bonjour à tous,
Ce mardi marque le 1er anniversaire de The Art of VFX !
Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews.
Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents.
Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail !
J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion.
Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone,
This Tuesday marks the first anniversary of The Art of VFX!
I wanted to thank you all for reading me every week and to be so many to follow my interviews.
You are several hundred to come every week from more than 80 countries.
I am truly touched that you are so many to appreciate my work!
I am pleased to share the messages I've received for this event.
To read those comments, click here[/lang_en] 
BOARDWALK EMPIRE: Justin Ball – VFX Supervisor – Brainstorm Digital
After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.