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19th Annual VES Awards: The Nominees

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The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

THE EIGHT HUNDRED: VFX Breakdown by Rising Sun Pictures

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Australian studio Rising Sun Pictures takes us into the middle of the war in the battlefield of Shanghai with this VFX Breakdown about their...

Digital Domain arrives in Montreal!

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Montreal is getting bigger with the arrival of Digital Domain in 2019! Here is the press release: GLOBAL VFX STUDIO DIGITAL DOMAIN CELEBRATES 25 YEARS WITH...

Pixomondo is coming to Montreal!

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Great news for the VFX industry in Montreal, Pixomondo is coming in town! Here is the official press release: VFX HOUSE PIXOMONDO ANNOUNCES OPENING OF MONTRÉAL...

ALTERED CARBON: Steve Moncur – VFX Supervisor – DNEG TV

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Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.

BLACK PANTHER: Geoffrey Baumann – Overall VFX Supervisor – Marvel Studios

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Geoffrey Baumann worked at Digital Domain for 15 years on many films such as FLAGS OF OUR FATHERS, 2012, OBLIVION and IRON MAN 3. He then joined Marvel Studios for CAPTAIN AMERICA: THE WINTER SOLDIER in 2013 and then he works on AVENGERS: AGE OF ULTRON, CAPTAIN AMERICA: CIVIL WAR and DOCTOR STRANGE.

VALERIAN AND THE CITY OF A THOUSAND PLANETS: François Dumoulin –...

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Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

GUARDIANS OF THE GALAXY: Nicolas Aithadi – VFX Supervisor – MPC

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During his last interview, Nicolas Aithadi explained in details the work of MPC on 47 RONIN. He is back with the space opera of Marvel, GUARDIANS OF THE GALAXY.

STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo

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Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.

OBLIVION: Bjørn Mayer – VFX Supervisor – Pixomondo

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Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.