the strain - résultats de la recherche

During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

Marten Larsson have joined Digital Domain in 2004 as technical director. He worked on many projects such as THE MUMMY: TOMB OF THE DRAGON EMPEROR, 2012, TRANSFORMERS: DARK OF THE MOON or ENDER'S GAME. He talks to us today about his experience as VFX Supervisor on PIXELS.

Last summer, Tim Crosbie explained in details about the work of Rising Sun Pictures on THE WOLVERINE. He is back with superheroes and talks to us about his work on X-MEN: DAYS OF FUTURE PAST.

Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film's visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.

Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.

In 2012, Eric Robinson had explained to us about the work of Mr. X on RESIDENT EVIL: RETRIBUTION. He is now back to talk about the remake of CARRIE.

Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012. Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.