the strain - résultats de la recherche

Hanzhi Tang has been working in visual effects for over 20 years. He joined Digital Domain in 2003 and has worked on a number...

Earlier this month, Bryan Hirota explained in detail the work done by Scanline VFX on Zack Snyder's Justice League. He's back to tell us...

Last year, Justin Ball explained his work on THE CURRENT WAR. He then worked on NIGHT SCHOOL, THE OA PART II and UNHINGED.

Martin Hernblad has been working at Important Looking Pirates since 2017. He has worked on projects such as LOST IN SPACE, KRYPTON, GAME OF THRONES and WATCHMEN.

In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA. A few months ago, Phi Van Le told us about his work on MIDWAY. He then worked on FOR ALL MANKIND and WATCHMEN.

In 2017, Axel Bonami explained the work of MPC on GHOST IN THE SHELL. Today he takes us to the bottom of the oceans to talk about UNDERWATER.

Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

In 2017, Olivier Dumont explained the work of Method Studios on KING ARTHUR - LEGEND OF THE SWORD. He then worked on THE NEW MUTANTS.

In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.