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Robin Hackl is one of the co-founders of Image Engine. He has worked on many projects such as THE TWILIGHT SAGA: DAWN BREAKING PART 1, DEADPOOL, LOGAN and THOR: RAGNAROK.

Jörn Großhans started his career in visual effects in 2004. He worked at Pixomondo and Mackevision before joining Image Engine in 2018. He has worked on numerous shows such as SUCKER PUNCH, HUGO, THE SHANNARA CHRONICLES and GAME OF THRONES.

Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY. Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.

Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.

Let's start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years! The reel is featuring their work on: TRUE LIES INTERVIEW...

In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

Milk is growing and welcomes Kat Mann as a new Head of Production for their 5th birthday! Here is the press release: OSCAR WINNING VFX STUDIO...

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.

In 2014, Anthony Smith told us about the Framestore's work on PADDINGTON. He then joined Rising Sun Pictures and worked on many films such as X-MEN: APOCALYPSE, GAME OF THRONES and LOGAN.

Few months ago, Ferran Domenech explained to us in detail about the MPC's work on A MONSTER CALLS. He also took care of the visual effects of FANTASTIC BEASTS AND WHERE TO FIND THEM. Today, he talks to us about his work on ALIEN: COVENANT.