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Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

During the period from June 10th to 15th took place the International Animated Film Festival in Annecy. Each year, this festival is one of...

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Two years ago, Dan Schrecker had explained his work on BLACK SWAN. He then oversaw the effects of films such as LIMITLESS, THE SITTER or MOONRISE KINGDOM. Accompanied by Matt Krentz, Digital Supervisor, he talks about the effects of WARM BODIES.

Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.

RESIDENT EVIL RETRIBUTION is the largest project made at Mr .X and they won't be too much of two to explain their work on the visual effects of this show. Eric Robinson is back on The Art of VFX after telling us his work on THE THREE MUSKETEERS and is accompanied by Ethan Lee.

Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.

Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.

Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.

After speaking with us about the effects for IMMORTALS, Simon Hughes returns to The Art of VFX. In the following interview, he talks of the many invisible effects for SAFE HOUSE.