Tag: CG Supervisor

Stephane Thibert began his career in the visual effects in 1996 at Fantome Animation. He then worked in many studios like Sparx and Mathematic Studios before joining Mikros Image in 2007. He has worked on many projects such as RUST AND BONE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and SEE YOU UP THERE.

Paul Story began his career in visual effects in 1996 at Weta Digital. He works on many films such as THE LORD OF THE RINGS trilogy, AVATAR, DAWN OF THE PLANET OF THE APES and THE JUNGLE BOOK.

Fabio Zangla has more than 10 years experience in visual effects. He worked in numerous studios like MPC, Double Negative and Weta Digital before joining Framestore in 2016. His filmography includes projects such as AVATAR, HUGO, JOHN CARTER or INTERSTELLAR. Chris Zeh began his career in VFX in 2000. He worked at Cinesite, Rainmaker UK, Weta Digital and Framestore. His filmography is composed of many projects such as THE LORD OF THE RINGS: THE RETURN OF THE KING, THE GOLDEN COMPASS, THE DARK KNIGHT, GRAVITY or GUARDIANS OF THE GALAXY.

In 2015, Philippe Théroux spoke to us about Hybride's work on UNBROKEN. He then took care of the effects of TOMORROWLAND, JURASSIC WORLD, STAR WARS: THE FORCE AWAKENS and WARCRAFT. Nicolas-Alexandre Noël has been working at Hybride for nearly 10 years. He has worked on numerous projects such as AVATAR, PACIFIC RIM, STAR WARS: THE FORCE AWAKENS and WARCRAFT.

The team of Framestore, composed of VFX Supervisors Mark Wilson and Jonathan Fawkner together with CG Supervisor Alexis Wajsbrot, talks about the challenges of this new production Marvel, DOCTOR STRANGE.

Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

Here is the recap of my interviews of the week #42. So you won't miss any of them. THE WALK: Kevin Baillie - Overall VFX...

Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.

Pavani Rao began her career in visual effects in 2005 at The Orphanage. She then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 she moved to Weta Digital to work on AVATAR. She then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.

Here is the recap of my interviews of the week #34. So you won't miss any of them. GUARDIANS OF THE GALAXY: Stephane Ceretti -...