Tag: Digital Domain

Here is the final trailer for ENDER'S GAME : Note: Digital Domain is co-producer on this show! The VFX are made by: Digital Domain (VFX Supervisor :...

I'm hugely happy to announce to you that Scott Ross will come in Switzerland in July at Imaging the Future for a Master Class!

Steve Preeg has an experience of over 15 years in the animation and visual effects. He has worked on many films such as FINAL FANTASY: THE SPIRITS WITHIN, THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG or TRON LEGACY. In 2009, he won the Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON. OBLIVION is his second collaboration with director Joseph Kosinski.

Here is the first audio podcast on The Art of VFX. I'm happy to introduce to you Pascal Chappuis who has made this interview and will made the next ones. Thad Beier has worked for over 20 years in visual effects. In 1995, he founded Hammerhead with Rebecca Marie, Jamie Dixon and Dan Chuba. He has worked on many projects such as TITANIC, U-571, FAST AND FURIOUS or 4: RISE OF THE SILVER SURFER. In 2010, he joined the team of Digital Domain.

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

Here is the brand new trailer for IRON MAN 3. The VFX are made by : Weta Digital (VFX Supervisors: Guy Williams & Matt Aitken) Digital Domain...

Here is the new trailer for OBLIVION. The VFX are made by : Digital Domain (VFX Supervisor : Eric Barba) Pixomondo The Production VFX Supervisors are : Bjorn...

Here is the trailer for G.I. JOE: RETALIATION. The VFX are made by : Industrial Light & Magic Digital Domain (VFX Supervisor: Thad Beier) Method Studios (VFX Supervisor:...

Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.

Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.