Tag: Scanline VFX
A GOOD DAY TO DIE HARD: Joe Farrell – VFX Supervisor...
After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.
IRON MAN 3
Here is the brand new trailer for IRON MAN 3.
The VFX are made by :
Weta Digital (VFX Supervisors: Guy Williams & Matt Aitken)
Digital Domain...
LOOPER: Michel Mielke – VFX Supervisor – Scanline VFX
When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.
IMMORTALS: Danielle Plantec – VFX Supervisor – Scanline VFX
Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.
HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX
Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.