Tag: VFX Supervisor
PRINCE OF PERSIA: Sue Rowe – VFX Supervisor – Cinesite
Sue Rowe is one of the few female VFX supervisors in the business. She works at Cinesite for over 10 years and oversaw movies such as TROY, CHARLIE AND THE CHOCOLATE FACTORY, X-MEN 3 or THE GOLDEN COMPASS. She just finished the visual effects of PRINCE OF PERSIA.
PRINCE OF PERSIA: Michael Bruce Ellis – VFX Supervisor – Double...
Michael Bruce Ellis worked for over 10 years at Double Negative, he begins at the roto department of the studio and then quickly rise and is visual effects supervisor on movies such as WORLD TRADE CENTER or CLOVERFIELD. He recently completed the visual effects of PRINCE OF PERSIA.
THE CRAZIES: Josh Comen and Tim Carras – VFX producer and...
Founded in 2006 by Josh Comen, Comen VFX has participated in many projects including TV series like THE SOPRANOS or WEEDS and on movies such as A PERFECT GETAWAY, NEXT, RISE or THE SPY NEXT DOOR. In the following interview, they talk about their work on THE CRAZIES.
ROBIN HOOD: Richard Stammers – VFX Supervisor – The Moving Picture...
After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.
IRON MAN 2: Ged Wright – VFX Supervisor – Double Negative
After working at Mill Film for HARRY POTTER AND THE CHAMBER OF SECRETS, Ged Wright joined Double Negative in 2002 and works on HARRY POTTER AND THE GOBLET OF FIRE, HARRY POTTER AND THE ORDER OF THE PHENIX or 10,000 BC. He has just finished overseeing IRON MAN 2.
KICK ASS: Mattias Lindahl – VFX Supervisor – Double Negative
Coming from Sweden, Mattias Lindahl began his career at Lego, then he left for London where he worked at Jim Henson's Creature Shop and at Double Negative in 2001. After nearly 10 years at Double Negative, he returned to Sweden this year and works at Fido. In the following interview, he talks about his work on KICK ASS.
OCEANS: Arno Fouquet – VFX Supervisor – L’E.S.T.
Arno Fouquet and Christian Guillon from L'E.S.T. were responsible for general visual effects supervision on OCEANS, the new documentary feature by Jacques Perrin. The visual effects were dispatched between BUF, Mikros Image and Def2Shoot. In the following interview, Arno Fouquet talks about L'E.S.T. and his work on OCEANS.
GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.
SHERLOCK HOLMES: Jonathan Fawkner – VFX Supervisor – Framestore
Jonathan Fawkner talks with us in the following interview about his work on SHERLOCK HOLMES, he has done in parallel with AVATAR.
Note that Framestore received the VES AWARD for Outstanding Supporting Visual Effects in a Feature Motion Picture for SHERLOCK HOLMES.
PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF: Guillaume Rocheron –...
Guillaume Rocheron begins his career at BUF in 2000. Having worked on films such as PANIC ROOM, ALEXANDER and BATMAN BEGINS, he left to join the teams of MPC in London. He worked on SUNSHINE, 10'000 BC or HARRY POTTER AND THE HALF BLOOD . In 2009, he moved to MPC Vancouver to work on PERCY JACKSON.